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Lamia Beuque has a diplom from Lausanne High School of Music. She was coached by Professor Brigitte Balleys and graduated with a Master's degree in Vocal Interpretation in 2012. Additionally she had the chance to participate in master classes with experienced artists such as Christa Ludwig, Teresa Berganza or the pianist Helmut Deutsch.

First engagements in staged productions follow soon. Lamia Beuque makes her professional debut as Lazuli (L’étoile/Chabrier) then, in 2012, Mirabelle (Les aventures du Roi Pausole/Honegger) and Kuchtik (Rusalka) both at the "Grand Théâtre" of Geneva. Subsequently, she joined on a two-year contract the opera studio of The Opéra House of Strasbourg (ONR). It allowed Lamia Beuque to distinguish herself besides Fidalma (Il Matrimonio Segreto/Cimarosa), Mazet (La Colombe/Gounod) also in roles such as Alkandre (Pénélope/Fauré) and Bellangère (Ariane et Barbe-Bleue/Dukas).

During season 2014/2015, she made her debut in two main Rossini parts : the title role of Cenerentola at the Opera House (Auditorium) of Santa Cruz de Tenerife and Rosina in Il Barbiere di Siviglia at the Maggio Musicale Fiorentino.

After having successfully embodied Adalgisa (Norma) at the Opera House of Santa Cruz de Tenerife and Lola (Cavalleria Rusticana) at Strasbourg’s Opera House, Lamia Beuque appeared as Siebel (Faust) at the Opera House of Tenerife, Nicklausse (Les contes d’Hoffmann) in Fribourg and Annio (La Clemenza di Tito) at the Opera House of Lausanne.
During season 2018/2019, she appeared as Isabella in Italiana in Algeri in Switzerland, Orlofsky in Fledermaus at the Opera House of Lausanne, Rosina (Il Barbiere di Siviglia) at Teatro Petruzzelli in Bari and made her debut as Mignon in Mignon (Ambroise Thomas) in Innsbruck.

 Those two last seasons, she was back to some Rossini parts as Cenerentola (tournée in France and Petruzzelli in Bari) and  Isabella (Italiana in Algeri) at Landestheater Innsbruck. She also embodied the part of Orsini in Lucrezia Borgia and the part of Isolier in Le comte Ory at Teatro communale di Bologna, Kuchtik in Rusalka in Metz and Reims and
 Kristina in Die Passagierin in Mainz Opera house.

In 24-25, she sang Marguerite in Manon Lescaut (Auber) in Teatro Regio Torino, Angelina in La Cenerentola in Hagen where she also embodied Carmen for the first time. She was be Mercedes in Carmen in Nice and Antibes at the end of the season.

New Debut this seson : Alto solo in Petite messe solennelle de Rossini, Oreste in La belle-Hélène, Musetta in La Bohème (Leoncavallo).

Lamia Beuque has sung under the baton of renowned conductors such as Diego Fasolis, Daniele Callegari, Renato Palumbo, Bruno Campanella and Oksana Lyniv.